The genius speculates on the guitar's tone

For a few years, I have come up with my own solutions and been quick to both spread the word and advertise them. Before I gained enough experience and had time to understand what was happening. A big step on the way was an unusually expensive book called "Classical guitar design" by Guiseppe Cuzzucoli and Mario Garrone. It was…

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GG145, Levin 1923

The first finished GammelGura'n in the ongoing batch was a Levin parlor from 1923. A vein-painted cheap model with a triangular stable in black-painted maple and walnut board. Early Levin parlor guitars have slender slightly V-shaped necks in elm, probably made for tendon strings. Such necks become banana-shaped if you do not reinforce with a carbon fiber rod with steel strings. Senare parlor…

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Overladen tuning on modern guitars

In addition to working with old parlor guitars, there is one more thing I do that should interest more people. Oversaddle tuning on modern acoustic or electric guitars. The intonation means that the guitar is measured, the fingerboard is shortened by about 1 mm at the upper saddle and a new intonated upper saddle in the legs is manufactured. On an acoustic guitar, it can also mean that the stable leg ditch…

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