Is working on a Levin parlor with a pressing stable and string holder. Since I rarely work with such, I have always been unsure of how hard the lid must be ribbed to not break and at the same time sound as good as it can. Despite searching online, I have never found figures on what pressure the lid is exposed to…

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Had to tackle the last detail in the chain that I have not experimented with yet, the stable. The stable is an important tone-creating detail and I really like the sound of spruce! The problem is that the stable is exposed to large forces, so the whole stable cannot be in spruce. As always when I solve a problem comes…

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